Showing posts with label square metres. Show all posts
Showing posts with label square metres. Show all posts

Tuesday, 3 November 2009

Rejection - oh, how I will lament

uuurgh rejection again. I know this is the way things go, but really someone needs to write a book on creative writing rejection. In fact I might. It will be structured like this:

The Deflation Period, where you just want to print everything you've written and burn it. If you could be bothered that is. But as it is, you just want to pretend that you never liked writing anyway, it was just killing time and you really have more pressing things to get on with anyway. Like work.

The Post-Denial-Denial Period, convincing yourself that maybe switching writing genres will help. "Maybe I should start writing horror..."

The Alternative Pastime Period, deciding that actually you spend too much time writing anyway and that you've always fancied something a bit different, just not had reason to get round to it, see clay-pigeon shooting or long-distance swimming.

The Rehab Period, it should come sooner but always arrives late in the day when you're on the cusp of lighting the fire, or buying gym membership (the previous stages may come in quick succession).

The Melancholic Poet Period (protracted). Everything is dire. Several denial stages later you concede that it was all a defence and you do like poetry, you like it too much. It's a cruel lover. It's beating you but you want more! So you write-about how melancholy you are. About how life is just one tiresome Lancastrian winter. About the sorrow of the blackbird and your cold black heart. Aside from these crass examples, you may actually find you have written something half decent. Or at least you think so.

The False-Confidence Period. You have re-entered the atmosphere. Breathing poetry again. Someone says you're OK, so you write again, write beyond melancholy. Convincing the cruel lover that you can change, you will be better. Everything is a found poem. Every half-conversation is a story kernel. It's wonderful, it's magic, it's falling in love again....

Then you make the fateful mistake of submitting something. They tell you 'best of luck placing them elsewhere' and like a soggy balloon, seconds after the pinched end is freed and the air has rushed out, you find yourself deflated again, completing the circle, face down on the carpet, drawing in the Hessian!

Tuesday, 16 June 2009

One Sleep

It's one day now until the Flax launch of 'The Crowd Without'. I'm going to remember Carol Ann's advice and just think of the words. But while I think about them, I would also like them to look nice. How does one type out their poems for a reading? Do people mainly type or do they write them by hand? Is this an excuse to buy a new pencil or some new paper? I have a tendency to laminate things whenever I get the chance, so this could be an option. I just don't know. It strikes me that I have not done my research. I don't have any collections yet so I can't read from my own book as I am sure the others will do. Maybe I should put them inside a poetry notebook or a nice card? So that I am not stood with a floppy bit of paper looking inadequate. There seems to be no guidance on this, anywhere. However, this is a really good opportunity to take a trip to Borders Deepdale and look around for some inspiration, part with some cash and pass the time before the one sleep that will bring tomorrow round. How exciting.

Friday, 22 May 2009

Read around the Fear

If you go to the Litfest website, you can follow some links to information on the new Poetry Anthology (The Crowd Without) by Flax, being launched in June. This will be the new home for three of my poems: Reclamation, Bay Rock and Square Metres for Acreage. They will be very happy there.

Here is a little blurb from the web by editor Sarah Hymas;

"The Crowd Without
is the latest of our poetry anthologies. It contains poems that twist through relationships, the sky and memory. While these topics are well populated, the narrators of the poems are outsiders, or at the least, objective witnesses to what unfolds around them.

Sensual, political and, at times, wry, these poems herald some of the strongest voices in the North West, from both new and established poets"

I not sure if I am terrified or excited. Actually I do know. Terrified. Due in most part to the great line up of other poets that, by rights, I should really not be a part of.


Friday, 24 April 2009

Indicator is on and I am being let in

First three poems accepted for publication by Flax: Reclamation, Bay Rock and Square Metres for Acreage. These will all appear in Flax 018 which launches on 17th June 2009. Please visit again to read these at a later date. I will provide the link to the as yet unnamed publication.

About growing up at different times of your life, sometimes when you should have grown up already, sometimes when you are growing up for the second or third time.